The architects who worked at her court - Giacomo Quarenghi, Charles Cameron, Vasily Bazhenov - were either friends with Piranesi, or under his strong influence, and this affected the appearance of many buildings in St. Russian tsarina Catherine II admitted that she was crazy about Piranesi’s "architectural treatises". ![]() Those who did not see Rome live successfully imagined it after Piranesi. Whole generations of architects grew up on Piranesi’s etchings albums, his works were enthusiastically collected and passed on by inheritance. They created engravings and theatrical scenery à la Piranesi, built palaces and bridges, wrote essays and novels. In general, the "paper architect" managed to catch the beginning of piranesimania during his lifetime - not so much imitation as passionate and delighted succession. Goethe was rather sceptical about Piranesi’s activity (we'll tell you why later). Both his work and his very personality have a powerful charisma that few can resist. Surely, Clarke is not the first to fall under the spell of the greatest "architectural science fiction writer" Giovanni Battista Piranesi (1720−1778). ![]() The novel is full of implicit, but clearly distinguishable references to his work. ![]() The protagonist who explored the endless Halls decorated with Statues in anticipation of the Tides is named Piranesi, just like the Italian engraver of the 18th century. In 2020, almost the main literary sensation was the parable novel by the English writer Suzanne Clarke, Piranesi.
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